Photography

No photography? Sure there has been!

It's been a few weeks with no posting on this blog. I've not exactly been off the planet, but haven't had anything interesting to post either. It's been a very non-photographic few weeks for me. That actually felt nice after the onslaught that was August with all the exhibition and photo club events.

I've only taken the DSLR out a few times in the last three weeks and to be perfectly honest I've not really taken any pictures I'm happy with during those outings. That's perfectly fine though, I didn't feel my heart was in it, so the pictures weren't that exciting. It felt more like "I should bring my camera now that I'm stepping outside", rather than, "Oh I want to take photos! I should go outside!".

No trains in sight!

Still, a few cell phone snaps were taken here and there, so that's what I'm sharing here. This is an image I took a few days ago near my home on an old defunct railroad.

I have also "abused" the photo in Snapseed to make it look like an old photo that's been through the ravages of time (sort of anyway). I tend to do at least some treatment to all my images (whether it's in Lightroom for my DSLR photos or Snapseed for cell phone snapshots, although this one has been put through more steps than I usually take!

Shooting against the light

At the Harbor Festival in Limhamn, Malmö, Sweden 2014

As photographers we're often told to make sure we don't shoot into the sun, because then you risk getting all kinds of issues with too high contrast ranges between the bright and the dark parts of the image; and if we do have the sun in the frame we risk getting flares big enough to make J.J. Abrams wince...

Sometimes though it makes for a very interesting effect, creating strong silhouettes and backlighting our subjects.

The image of the man with the water-jet thingy is an example of mine that turned out pretty good in this regard. This was not a conscious effort on my behalf to shoot silhouettes, but a product of the location where this performance took place. I couldn't shoot this any other way but against the light, and the combined glare of the sun and the reflection of that in the ocean made for a lot of light pouring into the camera. I didn't mind because it looked cool when I did a quick glance on the LCD, so I went for it.

Then I read the "Into the light" article by Lee Frost in the September '14 issue of Black+White Photography about this phenomenon (naming it contre-jour, from the French for "against the daylight")) and how it is a perfectly "legitimate" form of photography, used to great effect in dramatic landscapes, silhouette photography and other such situations. Turns out my accidental foray into this sort of photography was an example of that.

At the train station, Lund, Sweden 2014

At the train station, Lund, Sweden 2014

Then I began to look through my files for other examples of contre-jour photography, and discovered it's a technique I've used several times without even thinking about it, or giving it a name. The girl's backlit hair in this image from the Lund train station is an example of the effect, giving her a halo, while the bench they sit on is fairly dark and contrasty. The silhouette effect here is nowhere near as strong as in the waterjet photo, but it still has hints of the same thing.

It's definitely a technique I will use in the future...and now I can call it by its fancy name too...although I probably won't. :-)